Qsc touchmix 30 review.Review: QSC TouchMix-30 professional Digital Audio Mixer

 

Qsc touchmix 30 review.QSC TouchMix-30 professional v1.3

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

You’re here.Road Test: QSC TouchMix Pro Compact Mixer & most recent Firmware Update – ProSoundWeb

 

When compared to TouchMix-8 and TouchMix, TouchMix provides more inputs and outputs, more effects, more handling, more freedom, and more control.

TouchMix is literally bigger than TouchMix-8 and TouchMix, with a far more traditional shape and jacks for which you’d anticipate them in the back panel. Perhaps most obviously is TouchMix’s bigger inches touchscreen display, which will be like having a dedicated tablet built in. The mixer is sturdily built, with a feel of quality from jacks to knobs to buttons.

TouchMix is a lot more significant compared to the other smaller albeit much more effortlessly transported TouchMix models. TouchMix provides 32 inputs, 24 of which circulation through class-A mic preamps. The final two inputs tend to be dedicated to a USB playback function. The QSC design team opted to stay with old-fashioned analog preamps for optimum noise, but this means no automation or recall of feedback gain.

This doesn’t offer the mobility of a genuine digitally managed preamp stage, but 30 dB of adjustment implies having the ability to park the trim at one area for some feedback sources.

Set the analog feedback trim for the loudest singer to make use of an offered channel, as an example, and bring the others up with the electronic gain environment within their preset. This design strategy hits a decent compromise. From the production part, TouchMix bumps the total mixes to That’s sufficient outputs to address a more elaborate stage setup, plus a few extra feeds.

The mixer also adds eight devoted subgroups, each with a complete complement of sign handling: 6-band parametric EQ, large- and low-pass filters, and limiter.

Ample handling is a type of thread with TouchMix Adding up all the instances perhaps not groups of DSP ended up being rather a job, and I also gave up once the tally approached Each input features a 4-band parametric EQ, large- and low-pass filter, compressor, gate and de-esser. To all this the mixer adds two real time frequency analyzers, six effects products and a floating pitch modification place result. You can easily configure the six impacts units in any mix of rich reverb, dense reverb, pitch change, mono delay or stereo wait.

All provide substantial parameters and a little but useful library of presets. Just the pitch modification result neglected to wow, due to the fact process to activate it if not determine if it’s working is unintuitive at the best. No electronic mixer is an island today, and TouchMix sticks with meeting to offer an Ethernet port for connection to a radio router for exterior control.

Full-featured apps are offered for both iOS and Android os. Core sound assistance transforms TouchMix into a 32×32 recording powerhouse for Mac people. Windows users will have to wait, as QSC is still considering whether or not to provide Microsoft windows compatibility. Also without a pc, the mixer will record all 32 inputs to an external USB disk drive. You may want to record a handful of stations or even the stereo combine to a USB flash drive. TouchMix has actually three USB harbors to support all of this information coming and going.

The TouchMix could be the first mixer I’ve ever before used with an integrated assistance desk. Graphics and well-written instructions significantly alleviate the use and set up of all features associated with the mixer.

Too bad there’s no search function. Maybe many impressive may be the feedback eliminator wizard, which emulates the procedure a reliable noise engineer uses to ring out a method. Gain slowly increases, and comments appears for just an instant as up to 12 notch filters tend to be immediately applied.

The wizard probably will not require all of those filters, just what exactly’s kept is yours to manually apply if more frequencies should ring. At any point you are able to globally adjust the depth and Q width of all the filters at a time, increasing the power of this filtering or backing it off if feedback conditions develop.

Which is a pleasant touch. Other wizards are offered for setting up results, tuning the EQ associated with the system within the space, and establishing correct gain. Positives may scoff at such things, but less-experienced designers will probably find the wizards quite beneficial. Various other helpful details consist of substantial channel preset libraries EQ, dynamics and fully loaded scenes that make a good starting point for total mixer setup.

Several years of useful live music had been poured to the TouchMix if you need a little bit of handholding. Eventually, simple and advanced level settings allow you to tailor the mixer’s program into the experience standard of the operator. Unfortunately, all of the helpful wizards in the world won’t replace with problems built-in in TouchMix’s user interface, and there are many of these. Periodically moving to some other display i. The user-defined buttons can relieve a few of the clicking about, but other components of TouchMix navigation remain inefficient and annoying.

Those elements of an individual user interface should just be fixed. Other program dilemmas feature result parameter labels that don’t upgrade with all the recalled preset, several screens that take several seconds to render the first occasion you access all of them, plus some differences between the mobile iOS or Android os program additionally the mixer itself.

A minumum of one of these errant effects parameters should really be fixed with an application update because of the time you look at this. The input matrix is nice, but the mixer requires some thing similar when it comes to outputs. When you look at the grand system, most of these are minor problems when confronted with the impressive energy and freedom of TouchMix A mixer with most of these capabilities and bad sound is a tragedy.

Fortunately, TouchMix seems excellent. Preamp and converters tend to be clean and devoid of color, although the impacts have actually lots of personality for tonal shaping. Channel effects tend to be responsive and foreseeable, and that is a good thing. The time- and pitch-based results reverb, delay, chorus are great. I specifically liked the reverbs because of their lush, wealthy noise. My only concern is exactly how few presets are provided—they ranged in number from eight down seriously to two according to impact type.

Maybe QSC has to hire another wizard simply to produce presets. Once you accumulate the deep feature set, uncompromising quality of sound and helpful features, it’s obvious TouchMix is a superb solution for smaller churches—especially those with minimal knowledge in the tech team.

TouchMix isn’t perfect, but what it lacks is apparently caused by yet another software-lagging-hardware product launch. The present is aglow with this capable small mixer, plus the future is even better. Copyright laws c Production Media, Inc. All rights reserved. To learn more and reproduction directions please contact us at or info churchproduction. Skip to main content. Become a Member Register. Back to Serp’s. Church technology arts in addition to Great Commission.

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Qsc touchmix 30 analysis.QSC Touchmix Pro — AudioTechnology

Jan 06,  · I’ve been working with a QSC TouchMix Pro (TM30) compact mixer for a couple of months now, pushing hard in the newest firmware enhance (v, is precise). The general kind aspect of this mixer is small and sturdy; it can be effortlessly positioned in any tight front side of residence or rack ted Reading Time: 4 minutes. The TouchMix‑30 professional is a 30‑input digital mixer built around a touchscreen control interface with connected function buttons and a large information controller wheel. The preamps are made to the mixer itself and now have analogue input trim controls that give the style a bit of a . The TouchMix Pro features a generous I/O count, including 24 mic inputs, six range inputs (in three stereo sets), a talkback feedback, 14 auxes, plus main stereo out and monitor away, a stereo cue headphone out, and two additional headphone outputs mirroring aux sets .
 
 

By Mark Davie. All the parameter choices are immediate. What is this Touchmix, and exactly why is it professional? To begin with, this is certainly a touchscreen-driven electronic mixer with an onboard analogue front end. Typically, electronic consoles will be the other way around, wearing a bank of equipment faders while gain is digitally managed.

You can find an overall total of four headphone jacks too. Pretty useful. I experienced a fascinating gig come up I was thinking could be a good test when it comes to Touchmix Pro. It absolutely was a Hands to Communicate charity event to increase money for the Australian basketball team for them to go to the Deaflympics in Turkey next year. Wearing a gig was an initial for the neighborhood. Although the greater part of individuals truth be told there had some level of hearing impairment, Hands to Communicate wanted to use something different compared to normal deaf fundraiser.

Five functions done throughout the night, ranging from soloists and duos to the full band, each completely translated in Auslan. Pretty easy gig, right? I hired the entire production from Specialized Events, who sorted myself down with a Nexo PS15 point source system, phase and lights and had been incredibly helpful every step of this means.

Nevertheless, despite it being the hectic period, he handled to unearth just sufficient stations doing the things I needed. TAG: 02 or info tag. The Touchmix professional has actually every digital console mod con — room tuning, feedback suppression, direct-to-disk recording, etc — except for digitally-connected phase box growth. It allows you to quickly reset a graphic EQ fader, return a fader to unity, or center a pan control.

Its standard mode is a coarse setting, but by keeping down the knob as you rotate it, it moves in extremely good increments. Moreover it doubles as a tap tempo for the delay motor. The minimal stations from the multicore suggested I happened to be quick two networks for the DJ at the end of the night time. Instead of being forced to replace both ends regarding the multi-core, during setup I happened to be able to mult two inputs that were currently being used into the DJ channels, then simply swap over a few XLRs at the phase end, unmute and I had been away.

You are able to make use of the exact same process to process the same feedback across numerous networks for alternative outputs like IEMs. The Copy and Paste features tend to be preset to user buttons seven and eight, but you can change their particular purpose if you want.

Throughout the top you have tabs for the three mono input networks finance companies, followed closely by tabs for the stereo inputs and playback, FX Masters, 14 additional Outputs, eight Subgroups, and eight DCAs. Along the part are more tabs that let you easily flick back again to the Main blend, or some of the aux mixes. You may re-route 1st eight auxes in to the final six to obtain some actually deep IEM pre-mix control. You access station controls by pressing the station name.

I usually discovered my working style in the Touchmix become a mix of holding a parameter and using the huge switch to modify it. The EQ was very useful, in addition to compression and restricting had been both fairly transparent. I mainly utilized two delay machines; one for a little vocal slapback and a longer wait when desired. But, aside from one overshoot, the effects had been relatively smooth.

I tried to regulate their production, but apart from the large and low-pass filters in the reverb units, there was clearly only a two-band shelf EQ in the output. Yes you are able to a grin to seek out the middle or singing location and pull the whole level right back, but in this instance I became really interested in a straightforward parametric cut.

Simply wind the speed dial as much as Fast for an instant autotune result. For lots more polite correction, a slow speed is most beneficial, but even with the appropriate music scale selected the artificial wobbles of real time autotun-ing tend to be inescapable. QSC has built in an entire cast of wizards to move the user through a selection of sound problems, or whisper recommendations in to the ear of less confident engineers.

You can find four wizards in total, all wielding their particular capabilities over different fiefdoms associated with the Touchmix kingdom. The gain wizard is pretty standard, suggesting a suitable gain establishing according to input clipping. The results wizard simply provides some suggestions based on the types of instrument, and tips on the best place to send it. The space tuning wizard is quite simple and easy quickly to use, with great outcomes. You just stick a measurement mic up in four different positions, then your wizard puts out some noise to test each area and provides you a Graphic EQ setting according to whether you prefer it to seem flat or scooped.

The comments suppression wizard does its job, however it could possibly get a little filter hungry. You will find 12 filters it can used to notch aside problematic frequencies, but if you get to that phase, your production is going to appear awful anyway.

The wizard works by slowly creeping up the gain regarding the selected output until it detects a problem. It does naturally delay its attempts several dB past unity regarding the output fader, but you may have to intervene before the period to end it searching holes to your mix. If it will, you have larger problems to manage.

In the end, I simply utilized the six-band parametric over my master result to carve a few little notches that dealt with some space build. When a unique product links into the community and attempts to access the mixer, it offers to be authorized by the operator in the system.

You can pick between full mixer accessibility or your own monitor mix operator with loads of options for restricting the amount of variables the consumer can adjust. One thing to note is that the console still keeps its location at the top of the pecking order. You need to unmute channels during the system just before can completely unmute all of them in the application. We ran the network and application all night, and it never ever dropped out when.

It had been useful as an extra screen, and extremely helpful for tuning monitors. QSC has attempted to bridge the space between beginner engineers and experienced users by including dozens of wizards while however offering lots of control of the mix.

At the conclusion of the night time, both deaf and hearing patrons provided a lot of great feedback and Hands to Communicate has already been intending to go ahead with the same event the following year. As with any new console, the actual work was at establishing the program and making sure i really could navigate it with ease.

It seemed great too; the preamps had lots of definition and there clearly was no smudginess across a full band combine. In addition it is able to be controlled wirelessly [see Wireless Operation box], and that can capture 32 stations either direct to disk [see Recording box], or feed your DAW on a Mac.

If it fits your personal style, it will probably provide you with more than you budgeted for. Your email will not be published. QSC K Subscribe E Mail Us Promote. Skip to content. We mixed a deaf gig to find out. By Mark Davie March 24, Configuring the community was a piece of cake with my small Netgear router. All I experienced to do ended up being connect in an Ethernet cable, title the mixer, toggle the switch to wired and it connected in a jiffy. I was thinking that was quite thoughtful of QSC, offered just how obscure an issue that would appear to be.

I moved for the direct to disk option, and carried along a portable USB-powered hard disk drive towards the gig. It happened pretty seamlessly within the history until We went out of file area. Everything QSC can improve when you look at the firmware. After recording, you’ll toggle to track playback for a virtual soundcheck with one switch hit.

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